Search In this Thesis
   Search In this Thesis  
العنوان
رسالة ماجستير بعنوان
القيم الجمالية وعناصر التشكيل في مختارات من العمارة الإسلاميةوالإفادة منها في التكوين النحتيفي ضوء الفن التجميعي
المؤلف
الهلفى، حمدان عنيزان حمدان .
هيئة الاعداد
باحث / حمدان عنيزان حمدان الهلفي
مشرف / محمد جلال على
مناقش / ايمان عبد الله محمد
مناقش / محمد محمد عبد الحكيم
الموضوع
النحت - زخرفة معمارية .
تاريخ النشر
2023 .
عدد الصفحات
220 ص. :
اللغة
العربية
الدرجة
ماجستير
التخصص
تربية فنية
الناشر
تاريخ الإجازة
25/9/2023
مكان الإجازة
جامعة أسيوط - كلية التربية النوعية - تربية فنية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 115

from 115

المستخلص

“Aesthetic values and elements of composition in selections from Islamic architecture and benefiting from them in sculptural composition in the light of assemblage art.”
Islamic architecture is considered unified in form, style and content, but there are distinct differences according to regions and eras and according to the historical traditions of each nation that entered Islam. One of the most important Islamic elements is the mosque, which is the most important building in the eras of Islam, and other elements such as Islamic schools have also joined it. It also became the main element in various Islamic cities, and after that, government palaces of various types, immigration houses, Islamic residences, and others appeared
Research problem:
The research problem can be summarized in the following question: -
What is the possibility of benefiting from the aesthetic values and elements of composition in selections from Islamic architecture in sculptural composition in light of assemblage art?
Results :
1- The visual surface in assemblage art acquired the element of excitement and surprise through the diversity of materials, their textures, and their surfaces, and this assumed a shift in display techniques.
1- Collective art presented a state of experimentation and openness of visual presentation towards furnishing the space to create forms capable of informing and aesthetically arousing.
2- Employing neglected and marginalized materials and raw materials within the context of assemblage art so that it becomes adjacent to environmental arts.
3- Assemblage art represents a state of departure from the naturalized surface within the field of painting or sculpture. Rather, it is the integration of different techniques and genres so that the visual surface is in a state of openness and communication with materials and raw materials and to celebrate scratches, protrusions, and prominent blocks.
4- Different materials were used, such as iron, aluminium, wood, cloth, and pieces of plastic, on the surface of the painting, thus being consistent with sculpting techniques.
5- Assemblage art assumes that the artist has a sense of skill in choosing materials and materials and provides technical diversity