الفهرس 
تقديم البحثيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
Music is a mirror that reflects the state of the era in which the composer lives in social terms. In the nineteenth century, a musical version of anti-romanticism emerged from the perspective of concepts without imagination or dreams, Concepts that keep pace with the spirit of the age and its developments, and with the emergence of new musical generations with attempts to reorganize the musical material in a new way, important changes and achievements appeared in artistic methods in general and music in particular, which were subject to civilizational development with its impact on the soil in which it arose and interacted with the beliefs of its time and the intellectual, social and economic conditions, and by the end of the ninth century The ten and the beginning of the twentieth century A new musical style appeared and spread in the North American continent, and its roots go back to African rhythms and the folk melodies of African Negroes, The twentieth century is characterized by the abundance of its doctrines, schools and trends.
Jazz music grew and flourished in the northern United States of America in the late nineteenth and early twentieth centuries. Expresses feelings in an automatic way based on instant improvisations that suit moments of emotion.
Jazz is a multi-faceted style based on African rhythms and five-step scales, then European elements entered it, the most important of which are the harmonies and some popular English and French influences. With time, jazz music became a global trend that moved from the United States of America to other countries, and there were multiple attempts to integrate this music with the local music of each country, as in the case of Russian jazz, Polish jazz, or what is known as combined or hybrid music World Fusion.
The world has known many forms of cultural exchange through the ages, some of which have reached normalization, where the relationship between the East and the West is not a one-sided fascination (the fascination of the East with the West), but in fact the effects of the civilizations of the East appear clearly on the arts and sciences of the West as a result of the convergence of the two civilizations as a result of the Islamic conquests and foreign occupation. The cultural exchange resulting from treaties and agreements, and the impact of educational missions.
Several attempts have appeared in Azerbaijan to integrate Arabic music with elements derived from jazz music in the twentieth century by the Azerbaijani composer Rafiq Babayv and pianist Vagif Mustafazadeh, which led to the emergence of Azerbaijani jazz or what is called (jazz - maqam).
Azerbaijanis inherit a valuable collection of classical singing called “Mugami”, which is a musical form bearing the same Arabic word “maqam” and it must be distinguished from the familiar meaning of the word, i.e. “Magami scale”. Rast, the maqam al-Bayati (Bayati Shiraz), and also the chargah, shur, hamyun, and this musical heritage is found in the republics of Central Asia: Uzbekistan, Tajikistan, and Kazakhstan. They represent integrated artistic philosophies.
Azerbaijan is one of the six independent countries in the Caucasus region. It gained independence from Turkey in 1991. It is located in the South Caucasus region in Eurasia, the crossroads between Eastern Europe and Western Asia. Its capital is Baku, and its official language is Azerbaijani, which belongs to the Turkish language family. Azerbaijan is characterized by A social and religious life of an oriental character.
Music has always been an important entry point to learn the secrets of peoples and their culture, and our Arabic picks have a share in the formation of world music, and we find in this context a unique spiritual coherence and harmony that links our music with its Azerbaijani counterpart.
Azerbaijani music was built on folk music that dates back nearly 1000 years. Azerbaijani music developed through elegy through the creation of diverse, balanced melodies. Azerbaijani music was divided beside the maqam into two different types: Ashyg and Megana. The lover art is an art that combines music and poetry. As for the megana, it is a type of traditional Azeri folk music that is performed by several people on the improvisation, This is in addition to the classical music that flourished in Azerbaijan in 1920 after the founding of the Baku Conservatory to teach Western music. In addition to their use of Arabic maqamats without quarter tones, and Azerbaijani music is a mixture of Turkish, Iranian and Arabic origins, which makes it one of the music of Islamic civilization.
Waqifzadeh had a symbiotic relationship with his daughter, Aziza Mustafa Zadeh, an Azerbaijani singer, pianist and composer born on December 19, 1969 AD. She is a pianist who mixes jazz with maqam, the traditional improvisational style of Azerbaijan, with classical influences.
researcher started to study the Azerbaijani piano compositions through the compositions of jazz piano by Aziza Mustafazadeh.
Research problem:
By briefing the researcher on some of the piano compositions of Aziza Mustafa Zadeh, she noticed that these blogs contain distinct technical, melodic and rhythmic difficulties, so the researcher decided to study and analyze them to identify the characteristics and characteristics of these compositions.
This research came in five chapters:
Chapter One: Presentation of the Research
where he dealt with: Introduction to the research- the research problem- the objectives of the research- the importance of the research- the research questions- the limits of the research- the research tools- the search terms.
Chapter Two: Previous Studies:
First, studies dealing with jazz music.
Secondly, studies dealing with Azerbaijani music.
Chapter Three: Theoretical Framework:
In this chapter, the researcher dealt with the concepts related to the topic of research, then the chapters are divided into three sections, which include: The first topic:
1- Aziza Mostafazadeh
2- The prizes you got
3- Her most important works
4- Her albums
The second topic:
The music of the twentieth century.
• The most important doctrines that emerged in the twentieth century.
• The most important features of musical elements in the twentieth century.
Jazz music and its characteristics.
The third topic:
1- Azerbaijan State.
2- Azerbaijani people and culture.
3- Music in Azerbaijan.
4- Azerbaijani Maqam.
5- Performing the Maqam
6- Nationalism in Azerbaijan.
Chapter Four: Theoretical Framework:
First: The instrumental analysis study of the selected research sample from the books of Aziza Mustafa Zadeh.
Chapter Five: Research Results:
After the researcher presented the problem and previous studies related to the subject of the research in the first and second chapters, and the theoretical concepts in the third chapter, then the applied framework and its procedures in the fourth chapter, the researcher in this chapter answered the research questions as well as presented the results and recommendations.