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العنوان
استخــدام الألــوان المشعــة كمدخـل لرؤيــة مستحدثــة لجماليات التصميم الزخرفي /
المؤلف
محمـد، مصطفى عبد المنعم عبد الحميد.
هيئة الاعداد
باحث / مصطفى عبد المنعم عبد الحميد محمـد
مشرف / سعيد سيد حسين
مشرف / محمـد محمود منصور
مناقش / محـمـد حافـظ الخـولي
تاريخ النشر
2021.
عدد الصفحات
296ص. :
اللغة
العربية
الدرجة
ماجستير
التخصص
تربية فنية
تاريخ الإجازة
1/1/2021
مكان الإجازة
جامعة عين شمس - كلية التربية النوعية - قسم التربية الفنية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

” Using radiant colors as an input to modern vision for
decorative design aesthetics”
.
The scientific, technological and industrial development has provided the artist with many materials and techniques that can help him keep pace with this development and make use of them in developing and enriching artistic works in line with the times.
Among these raw materials are what are known as radiant colors, which have the property of luminosity in the dark, some of which are self-luminous, which is known as phosphorescent, and some need a catalyst and are called fluorescence, which is what was used in this research, and the catalyst in this case is the ultraviolet light known as black light.
The researcher pushed for this experience in the field of decorative design, which he found in terms of scarcity in research and studies dealing with those radiant colors as well as black light technology, as this is considered a new input that contributes to enriching the decorative design and investigates the visual variables that result from the nature of the radiant colors and the change of lighting conditions.
After studying the radiant colors and black light, the researcher conducted some self-applications that depended on some exploratory experiments of the nature of the material and its dealings with natural light as well as ultraviolet light, and then applied these results and techniques in the research experiment on a group of students who carried out decorative designs that went through three Stages, the first of which was the design as a blueprint before coloring, then the design after it was colored with fluorescent colors radiated in natural visible light, and finally the work image was under ultraviolet light (black light) in the dark.