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العنوان
الانساق الثقافية في شعر عبد الوهاب البياتي \
المؤلف
عبيس، مهدي عبيد .
هيئة الاعداد
باحث / مهدي عبيد عبيس
مشرف / محمد عبد المطلب مصطفي
مشرف / مصطفي عبد الشافي الشوري
تاريخ النشر
2014.
عدد الصفحات
219ص. ؛
اللغة
العربية
الدرجة
ماجستير
التخصص
اللغة واللسانيات
تاريخ الإجازة
1/1/2014
مكان الإجازة
جامعة عين شمس - كلية الآداب -
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

In the introduction, I indicated that interpretation of the
cultural patterns of Abd-Elwhab El-Byati poetry allows to
open endless significances inside these patterns, and studying
these patterns inside the structure of the text puts the receiver
in front of the idea of the mutli-pattern , so the poetic text to
El-Byati represents stylistic phenomenon characterized by
movement and openness. This study serves a good conception
for the poetic text of El-Byati based on thesis of cultural
reading aesthetics, which give the patterns which are centered
in the text structure a big importance to uncover how these
patterns form and it’s established mission to the meanings,
symbols and significances . It was taken the descriptive
analytic method as a method to follow the cultural patterns in
El-Byati poetry , trying to interpret them and uncover the
significance and deep symbols which can be accommodated by
these patterns. So the plan of the research comes in to an
introduction, three semesters and conclusion.
In the first section of the introduction: I talked about the
conception of culture since it’s one of the common concepts
which are used in contemporary discussions about society and
arts, defining the cultural pattern, explaining what it means in
cultural reading for the poetic texts.
In the second section of the introduction: I served a brief
glance about the poet life , and his best poetic divans and his
literary works. Also ,I indicated to the most general lines
which make the previous studies about his poetry revolved in
it’s orbit.
In the first semester: ” The Cultural Intertextuality in Abd-
Elwhab El-Byati Poetry”, and as it’s clear from the title , it
aims to cultural reading to the poetic intertextuality for the
poet who has the cultural store, And I divided it in to two
studies; the first study talks about the concept of
intertextuality in the western criticism trying to uncover the
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origin of the notion , as i showed this concept in the arabic
criticism, to discover the first roots for the intertextuality
phenomenon in old eastern criticism transferring to talk about
the intertextuality in contemporary arabic criticism by showing
the efforts of contemporary arabic critic in this domain. In the
second study from this semester, I researched in various
cultural sources which formed the intertextuality material in
Abd-Elwhab El-Byati in : myth, religion, history, folklore,
literary, mysticism and requisition.
In the second semester: ”Argument of the masculinity and
femininity in Abd-Elwhab poetry”, and i divided in to two
studies:
- the first study ”The Cultural Heritage Attitude from The
Female” which talked about the value of the women in cultural
legacy and it’s poetic pattern.
- The second study ”The Civil Cultural Attitude from the
Female”, I tried to discover the sections of the female for the
poet by the poetic examples for him. So I divided them in
to;the beloved female, the friend ,straglgler and comrade
female, and the myth female ( Aisha) and her significances.
The third semester ” Authority is A Cultural Pattern in Abd-
Elwhab El-Byati , I aimed to study this semester trying the best
to discover the attendance of authority pattern in El-Byati
poetry by the opposition and appeasement and the interfere of
his poetic texts, it’s interaction and it’s compound relation with
the authority. Also, I tried as much as possible to discover it’s
most important formative and distinguishing features in it’s
attendance in El-Byati poetry. And as i divided it in to two
streams:
-Firstly: opposed pattern for this authority, and I followed the
aspects and forms of this pattern in El-Byati poetry , so I
divided these aspects and forms in the opposes pattern in to (
turbulence and it’s social and political sides, exile and
alienation in El-Byati poetry with its two sections; social and
political alienation, the city and opposition of authority,
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revolution