الفهرس 
تمهيد
التضعيفيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
This research anus at studying and analyzing the aspects poetical
rhythm in the diwan of ”Qaba Qawsain ” and revealing the aesthetical
powers of these aspects and its significant powers in the analysis of the
linguistic structure of the text using the stylistic approach in analysis
especialIy statistical and structural stylistics . This study is based on
dividing the rhythmical structure in ”Qaba Qawsain” into three levels
including the types of poetical rhythm in the diuan : These are the musical
rhythm, linguistic rhythm and abstract rhythm. Hence, the study includes
three chapters proceeded by introduction, preface and it is folIowed by a
conclusion and bibliography .
In the introduction, we have showed the theme of study and the
impulses behind this choice and its aim with quick glimpses to the most
important previous studies, the important studies from which the
researcher benefit and the important difficulties which faced the research
in its formation across its stages.
Then , in the preface, we have concentrated on three matters, the
summarized indication of the poet, its poetic position and the definition of
rhythm . And this is a preface to what wilI come from the chapters and
topics of the study.
In the first chapter which has the title of’IMusical Rhythm” includes
three topics first poetical rhythms . This topic tackled three matters:
statistical presentation for the rhythms of ”Qaba Qawsain” and the study of
its stanza structure by counting and analyzing what have come on
quantitative and qualitative changes in the stanza structure for rhythms.
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Then presentation of the musical renewing sides in the metrical form in
fheDiwan”Qaba Qawsain” .
In the Second topic , we include the study of general rhyme. We
have analyzed and studied the types of vocalized rhymes in ”Qaba
Qawsain” which is represented in ”EI Maqtoat, Almozdawag, Almosmat .
And we have presented to its types according to its stanza and metrical
formation and this is represented in ”Almotawater, Almotadark ,
Almotaradf, Almotrakeb” and we have talked about the rhyme in terms of
absoluteness and restriction and we concentrated on studying its letters in
regard to the nature of phonemic Aleawa in terms of ”Al gaher, Alhams,
Alsheda, Alrakhwa and its movements. Then, Alradaf and Al asees .
In the third topic that is titled by ”the internal rhyme we included the
most important aspects of internal rhyming in ”Qaba Qawsain” these are
”Altreseea ” with its two types: Almoshra and Almosra ” and the relation
of Altsreea with the sequence of metres, circling internal rhymes and the
dividing of the line of verse with its types. Furthermore, we added to this
topic the rhythmical necessities in ”Qaba Qawsain” .
In the second chapter that is titled by ”The linguistic rhythm” . This
chapter is a lesson to rhythmical results which result from phonemical
results whether it is complex or simple. This chapter includes three topics:
The first is concerned with studying the music of sounds through the
harmonized repetition in the structure of a word and the application of
these on the long poem of ”Mahmoud Hassan -Ismail” ”I , The self and the
way ”too, This topic contains the studying and analyzing the two aspects:
omitting ”Alhamza its replacement and doubling from which result, from
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phonemic musical result which is an important part of aestheticism of the
poem and the relation of this with the production of significance.
Then the second topic that is titled by ”The free word repetition” we
tried to study and analyze the rhythmical aspects resulting from the forms
of free word repetition which has three forms : horizontal, vertical ,
systematic repetition.
In the third topic which has the title ”The rhythm of aword repetition
111 a limited structure” here, w tried to complete what have started in the
third topic, Too . We study and analyze rhythmical phonemic results
resulted from the limited systematical in special , eloquent stylistic
structures and the range of contribution of these phonemic techniques in
riching significance and these structures are repetition ,adjacency, preface,
conclusion and paronornasia .
In the third chapter which has the title ”The abstract rhythm” it is a
tryial to reveal the music rhythm resulted from the systematic movement of
the meaning and its arranging into the mind according to its movement into
the structure . And the effect of tilat in revealing the careef poetic sight.
This what is included in the first topic in this chapter . As for the second
topic , it tackled what the repetition structure causes of abstract rhythm
resulting from the abstract similarity formed in it and what is generated
from meaning dynamic and its rhythm into the turing round structure upon
the level of pronouns and verbs.
At last , this chapter is followed by a conclusion which presented a
summary to the research and presentation to the most important results.
These are followed by bibliography which are mentioned in the research.
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Zagazig University
Benha Branch
Faculty of Arts
Arabic Langnage Dept.
Diwan aQaba Qawsain H
For : Mahmoud Hassan Ismail
11 Stylistic Study In Rhythm
L.,J
Thesis SubIllitted for FulfiUIllent of
Master Degree of Arts
Hassan Loltfy Saleh
Under Supervision of
Prof. Dr.
MustaFa Yauin Eisadany
1996.