Search In this Thesis
   Search In this Thesis  
العنوان
The alternate society in vonnegut science fiction /
المؤلف
Gad, Mona Gad Sayed.
هيئة الاعداد
باحث / مني جاد سيد جاد
مشرف / فاروق عبدالمعطى
مشرف / محسن عبدالغنى جبر
مناقش / مني جاد سيد جاد
الموضوع
Introduction to science fiction. Dystopian mode of man and machine. Human sense of the absurd. Alternatives.
تاريخ النشر
2005.
عدد الصفحات
223 p. :
اللغة
الإنجليزية
الدرجة
ماجستير
التخصص
اللغة واللسانيات
تاريخ الإجازة
1/1/2005
مكان الإجازة
جامعة المنصورة - كلية الآداب - English Department
الفهرس
Only 14 pages are availabe for public view

from 239

from 239

Abstract

Science Fiction is a special world of imagination. The thesis studies the science fictional pictures of the society in the works of the American writer Kurt Vonnegut, Jr. Using the category of science fiction enabled the writer to critisize certain aspects of society. Vonnegut attacked the strange and irrational relationship between man and machine. This is presented by giving pictures of dystopian systems, in which there are nightmare vision of totalitarianism. He critisized the absurdities of the age in four of his novels, Player Piano, The Sirens of Titan, Slaughterhouse­Five and Cat<U+2019>s Cradle. These absurdities are social and economic, and all are related to the American society. The alternate pictures of horror and the crimes of war are also discussed through Vonnegut<U+2019>s treatment of war through science fiction in his novels. Then, he tries to give alternatives to the hellish examples of life he presented in his works. These alternatives are religion, resignation, hero<U+2019>s homecoming, and community. Most of them are all imaginary because at least, they donot give happiness, the only one that can work is community. The thesis concludes that Vonnegut was able to use science fiction in his novels to help humanity to search for meaning and at the same time warm humanity against any kind of irrationality in our world. Also, science fiction is proven to be a wonderful means for helping humanity.