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العنوان
رؤية الواقع فى شعر أحمد عبدالمعطى حجازى :
المؤلف
سعد، مروة عبدالعزيز.
هيئة الاعداد
باحث / مروة عبدالعزيز سعد
مشرف / سمير السعيد حسون
مناقش / أحمد فهمى عيسى
مناقش / السيد نعيم ناصر
الموضوع
الأدب العربى - الشعر. الشعر العربى - تاريخ ونقد - العصر الحديث.
تاريخ النشر
2019.
عدد الصفحات
446 ص. ؛
اللغة
العربية
الدرجة
ماجستير
التخصص
الأدب والنظرية الأدبية
تاريخ الإجازة
1/1/2019
مكان الإجازة
جامعة المنصورة - كلية الآداب - قسم اللغة العربية وآدابها
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 446

from 446

المستخلص

The term seeing reality is one of the terms that have become common in modern literary criticism, because of the effect of reality on the writer as the writer is a natural product of his society and a fruit of his reality. And the vision from the lexical side means looking at the eye and the heart, meaning that the intended vision here is not only limited to the visual sensory vision, but also includes a metaphorical vision that depends on the heart and the mind, and thus it is a vision based on analysis, science, logic and belief, but the reality means the existing and already Seeing reality from the semantic side means the writer’s position regarding what is going on around him and what he is going through, and what results from the process of influencing and influencing the formation of his own vision towards this reality that he lives, and interferes in the formation of this vision many factors, including the writer’s life, environment, genesis, culture, the capacity of his imagination, his acumen and factors Other economic and social, but despite that we cannot say that seeing the writer is a subjective thing related only to the writer’s personal attitudes towards his subjects and his personal taste, but the literary work is a dramatic work in which what is subjective is welded to what is objective so that in the end it is an artistic equivalent of reality and an imaginative act capable of selection And sister R and highlight and what is fundamental in life in order to supplement the lack of which This is stated by Ibrahim Fathi ”in the glossary of literary terms that: Forming a rich literary vision is a complex process that does not stop at ideological selection, evaluation, and mental perception. It includes intuition.