الفهرس 
الفصل الأول
مشكلة البحثيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
where the first chapter dealt with the background of the research through several paragraphs that include the main elements of the subject in terms of raw material, which is clay and its importance to humans since the earliest ages and color and the extent of its importance in the field of arts and clay and colored ceramic murals and historical roots and movement and the extent of its importance in enriching the work of art The chapter also included the problem of research and the imposition, purpose and importance of research, time and spatial research limits, research methodology, theoretical and practical framework, and research terms that dealt with the aesthetic potential, linguistic and terminology, terminology, terminology and terminology. Studies began with the first axis, which included studies dealing with colored clay, the second axis, which dealt with the ceramic mural and the third axis, which dealt with the element of movement. The second chapter dealt with several basic axes, including the life of the ancient Egyptian and how to vent from the pressures and burdens of the day in his first attempts to draw and engrave on the walls. Development in terms of agriculture and fishing works, as well as the walls of the temples abound with many and many murals reflecting the history of ancient Egypt where he was very interested in recording history, where he chose the strongest raw materials in terms of rigidity and longevity in order to preserve them heroics and records of his life For the daily but despite the rigidity of the work was more accurate and more pure in terms of design, selection and selection of colors and purity and themes and content where they appear to the recipient at first sight to look at. where we saw their first attempts in the creation and establishment of murals through interlocking squares and attempts to paint, coloring and engraving also found many ceramic tiles in the entrances and walls of the tombs of the ancient Egyptian, which remains holdings within the Egyptian museums and dealt with the ancient Egyptian in several attempts to advance the techniques of ceramic tiles in terms of clay and shaping Many researchers in this field have worked hard in terms of examination, study, analysis and history, and their attempts will remain the first and fundamental building blocks upon which any artistic work will be built. Abed will remain a reference and an original lamp shining lights up us the way. And the transition and wandering from the era of the ancient Egyptian man to the Islamic era, where the artist Mailam interested in art and beauty and adornment and through the love of the Muslim artist for art stemming from his love of religion, where he derived interest in art and beauty and artistic works, including ceramic tiles did not stop his love for art just for transport and tradition, but search for everything It is new in the science of techniques and techniques of ceramic tiles in terms of raw materials, which are clay, molding, surface treatments, color and paint, where he benefited from the movements of foreign trade and fusion and mixing peoples with each other breeds of cultures and arts and the transfer of gifts between kings and matter Within the Mamluk state where he addressed the tiles with different thought in terms of work methods and techniques did not stand Muslim artist Maktof hands, but added and developed and innovated The Muslim artist was far from human drawings, but added to the ceramic tiles all what is beautiful of plant and engineering and written decorations where the chapter reviewed a group of Tiles that addressed the previous topics
And became singing ceramic tiles within the most important places closest to his heart are mosques where the spirituality and beautiful meanings and sometimes made in the walls and sometimes in the domes and tops and other times in the body of minarets as we have seen in the previous forms
Moving from the Islamic era to the modern era, where art was influenced by different art schools, where new artistic methods were created for the work and manufacture of ceramic tiles and burning methods in modern kilns instead of the previous methods.
The ceramic murals in the modern era, such as those preceding from different eras, but developed artists of this era and became a material obedient in the hands of artists in terms of the first steps in techniques, whether in kneading and individual and pressure in molds or decoration or painting and coloring, either before glazing or after burning methods and the world of colors Ceramic tiles did not stand as collectibles within art galleries, but became a title for art schools and the ideas of the owners of their innovations as they benefited from them in architecture, but became an influential member within the architectural works on the facets of houses and also as backgrounds inside the rooms of the houses Night of propaganda as there are high artistic works on the walls of the streets as the chapter dealt with some of the work of many potters and Tnawahaha different thought did not stop the art of development and modernization as happened with its predecessor of the ages The chapter also dealt with ceramic murals in modern times and features of ceramic murals, technological development and technical progress and the impact of trends and artistic doctrines and functional aspects of modern murals aesthetics of the use of ceramic tiles on the vertical and horizontal colors in ceramic tiles and use in the interior and exterior architecture and fun and positive for the use of atypical ceramic tiles as The chapter reviewed a range of murals as examples and examples Chapter III dealt with the raw materials and some associated techniques, which is one of the important axes where the clay is a basic slot through which the potter can disclose the ideas, creations and innovations that can be vented through the clay or some associated techniques.
The chapter dealt with the different concepts and terminology related to clay, where the different types of clay and their natural colors were mentioned. The chapter included the section on the steps of preparing the clay from the beginning of mixing with colored oxides, in addition to the white clay or coloring with dyes and on different grades through the percentage of adding the colored material to the clay. And the steps of preparing the colored clay from the beginning of the weight of dry materials and through stirring, grinding, screening, packaging, fermentation and how to store and also deal with the extent of the impact of raw materials such as clay and aesthetic and plastic potential and the importance of color for etc Meh and the history of color in the history of porcelain and color across different ages The chapter also included the method of making ceramic wall murals and some different definitions of color such as the scientific definition of color and the concept of color and the concept of color from a technical point of view and the color in the modern era. The different factors and factors affecting the color of the ceramic body in terms of the size and softness of oxides granules and coloring material and proportion in the mud and homogeneity of distribution in the body and the temperature of the settlement and atmosphere of the settlement also reviewed the effect of leveling and atmosphere of the oven on the colored mud For oxides and colors that will be obtained in the atmosphere of the furnace in the case of oxidation and the atmosphere of the furnace in the case of reduction and the impact of some impurities The chapter also dealt with many experiences and techniques that are an important basis and are considered one of the main pillars and indispensable pillars that can be acquired by any practitioner of ceramic art and is an authentic reference to be used, but this comes through a summary of experiences and experiences of our predecessors in this area and methods The formation of colored clay and the concept of the formation of colored clay (such as marbling, whether by hand or through the wheel or marbling by casting - the formation of vaccination - and the method Mlefiori - Neriag way - the method of forming residues of clay - the method of forming with colored balls) The fourth chapter dealt with the introduction of the interest of mankind in dealing with the various arts. It also dealt with the first pages of the chapter on the general concept of movement in nature, linguistic definition, terminological physical definition and movement in plastic art and the concept of movement in the natural sciences and its concepts such as statics and dynamics and the philosophical dimension of the concept of dynamism and the importance of the dynamic art work and the types of movement actual, discretionary and implicit and the difference between the concept of movement Phantomism and Actual Movement The chapter also deals with a simplified concept of the concept of phantom movement in question
Heritage has also remained a rich source of reference for reference to the example of the movement in the ancient Egyptian era and his interest in dealing with the movement in its topics through fishing, agriculture, wars and dance topics of all kinds also reviewed the chapter of some of the ceramic tiles in the work of the ancient Egyptian Following the ages and passing through the Islamic era and the movement in Islamic aesthetic thought and the inspiration of the Muslim artist from the Qur’an and his reflection in his verses and his meditation and worship in the universe all became a source of inspiration for his artistic works and designs and engineering and plant formations and decorative relationship and the movement of the plant abstraction of Islamic art. The movement in Islamic thought as well as infinite repetitions in Islamic art and the aesthetic significance of the movement and rhythmic repetition in Islamic art. The chapter also addressed the characteristics of rhythmic aesthetic repetition through different concepts Example of movement - infinite and central movement in Islamic art and its philosophical significance and movement in Islamic decorations and some types of lines, such as curved calligraphy line and geometric calligraphy with examples and movement in the Arabic calligraphy where the chapter dealt with a group of ceramic tiles that dealt with these topics, whether decoration or writings
The chapter also reviewed the schools of the movement in the modern era in their various attempts, starting with the influential school and the concept of movement at the influencers, and the most important pioneers of this school and presented some of the works in which they practiced the movement in their own way. Boating on a silver net and the work of artist Auguste Reno and the work of the artist Edgar Degas entitled Dance Class Through the future school and give a brief history of them and the cause of the emergence and naming and how the emergence of the doctrine of the future and the concept of movement in the future doctrine and its manifestations and the concept of performance in the future as the chapter also addressed some of the biographies of the pioneers of the future school example Marcel de Champ and a review of some of his work naked descend stairs and some of The work of the sculptor Umberto Puccioni and the photographer Carlo Cara in a portrait of a woman on the balcony and the work of the artist Gino Severny entitled Dynamic at the Tabaran concert and the work of the artist Jacomopala entitled speed wheels and artwork girl running in the balcony and artwork Harness dog
Following the schools that dealt with the movement in their work or expressed in their own way through the line or color was moved to the school of the Bauhaus and give a brief history of its emergence and the reason for the emergence and designation of the concept of movement in the Bauhaus and its manifestations. Last but not least the movement in the School of Visual Art Op Art and provide a brief historical overview of its emergence and the cause of the emergence and designation and the concept of movement in the School of Visual Art and its manifestations. The brilliant and folklore of the planets by Victor Vazarelli and some of the works of the artist Brigitte Riley example cataract and the East also dealt with some of the work of the artist Joseph Alborz such as homage to the box and artwork bird
The chapter dealt with the movement in selections of modern ceramic murals with some models of modern ceramic murals, which dealt with the movement as well as the chapter concluded with elements and foundations of design and their relationship to achieve movement within the artistic work and the relationship and importance of each element and the basis of design elements and its role in achieving movement This section deals with some models of ceramic tiles that illustrate this.