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العنوان
ديوان ابن الخيمي :
المؤلف
عبد الرحيم, عبد الحميد عبد الرحيم عبد اللاه.
هيئة الاعداد
باحث / عبد الحميد عبد الرحيم عبد اللاه عبد الرحيم
مشرف / غريب محمد علي
مشرف / السيد محمد علي
مشرف / رفاعي يوسف عبد الحافظ
الموضوع
الشعر العربي.
تاريخ النشر
2017.
عدد الصفحات
224 ص. ؛
اللغة
العربية
الدرجة
ماجستير
التخصص
اللغة واللسانيات
الناشر
تاريخ الإجازة
1/1/2017
مكان الإجازة
جامعه جنوب الوادى - كلية الآداب - اللغة العربية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

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المستخلص

After studying ( Ibn El-Kheiamy ) I can say that Ibn El-Kheiamy divan as a model of the poetry of that period ( the seventh hijry century ) which attended both of the Ayyubid and Mamluk states, it’s regarded as one of the literary heritage treasures, in addition to it produce a reflection of an Arabian poetry in Egypt in that period. Hence; the study proved that the poetry in the period of ( Ayyubid and Mamluk ) although the problems that encountered, it still strong. In my opinion, Ibn El-Kheiamy did well even if he has some mistakes - as previously- but he is interceded because of his true and creative which is the most.
The most prominent and recommendation results that I reached through this study were:
* Ibn El-Kheiamy is regarded a pioneer of El-Ekhwaneyyat art, and he is the major general of the poetry in his period which was proved by many historians and translators, to the extent that, Alzahaby, El-kotoby and Al-safady preferred him on the poets of his period.
* Ibn El-Kheiamy had lived in ( the seventh hijry century ) which as the other centuries has its own features differentiate it, may be the most important of these features is the religion spirit that was prevailing in the society, the reason of that may be the crusades which took a place in that period.
* Ibn El-Kheiamy wrote in different poetry purposes so almost he wrote in all the poetry purposes.
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* The poet was interested in El-Ekhwaneyyat art, so it came in the first status in his divan. He has more than five hundred poetic verses and sections, that is almost one third of his divan. Included Ekhwanic subjects and purposes, such as Longing, affection, nostalgia, congratulations and elation …. etc.
* Ibn El-Keiamy Courting was chaste, didn’t shame modesty or stimulate the instincts.
* The seventh hijry century ( 13th century ) attended Sufi displacement too much into Egypt, so Sufism is regarded as an important poetic purpose for Ibn El-Kheiamy, so that he wrote tow hundred and sixty eight verses.
* Ibn El-Kheiamy’s language refers to his much knowledge and his memorization of the holly Qur’an and the holly Hadeeth, in addition to, he learnt from the preceding poets; that refers to his wide literary vista and amount of his knowledge about the previous poets his effectiveness by them.
* Ibn El-Keiamy was featured by leaving the diversion and insanity; the reason for that may be the disturbance of the politic and social life then.
* The divan of Ibn El-Kheiamy include all poetic arts, such as music, rhyme, eloquence, significance and ability of creating meanings by a linguistic dictionary and a method specialized in it without the others.
* One of Ibn El-Kheiamy demerits was that the nature wasn’t mentioned in hi divan. The Nile which mentioned in all poets’ writings in all periods and was impressed by many Egyptian poets, we don’t find any
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mention about it in this divan, the nature generally didn’t mention in Ibn El-Keiamy divan.
* In the end; I recommend all the researchers to come back to our literary heritage which suffered from the treachery and neglect. Our literary heritage has true expression about the life of our formers with its social, politic and economic differences and tell us their feelings, ideas, wisdom and experiences which we extremely need now.
* I also recommend the researchers to research in impartial and subjective, without Drifting by the opinions of some critics. Perhaps, a critic may vilify the poet of a whole period because of incomplete look without scrupulousness.