الفهرس 
المقدمةيوجد فقط 14 صفحة متاحة للعرض العام
 |  | from | 392 |  |  |
| | | from | 392 | | |
المستخلص
This study came in four chapters - preceded by an introduction - and a conclusion, and the four chapters are distributed as follows : Chapter 1: In which we study the musical elements of their external level (weight and rhyme) and the related elements that affect it such as flings and alms, and the internal level or what we call the music of stuffing, and we deal with the beautiful music such as sex, and the dish, and the deficit on the chest, studding and other arts Multiplication. Chapter Two : We address the structural level through four axes: First: Elements of poetic composition of dialogue, people, drama. Second: Structural methods, such as speech, appeal, command, etc. Third : elements of the poetic statement. Fourth: the symptoms of poetic structures, such as submission, delay and deletion ... and others Chapter III : It is dedicated to study the technical image, across three axes : First : A statement of the concept and importance of the technical image. Second: the technical picture patterns of metaphor, metaphor and metaphor. Third : The sources of the image through the study of natural, religious, and literary heritage, from which Omar bin Abi Rabia derived the artistic image. Chapter Four: We address the lexicon of poetry, through seven axes: First : the vocabulary of love. Second: the vocabulary of denial. Third: The vocabulary of expatriation. Fourth : Vocabulary of the question. Fifth : The vocabulary of flags. Sixth: The vocabulary of time. Seventh: The vocabulary of the place. Then comes the conclusion to clarify the most important findings of the study, followed by a list of sources and references on which the study was based, and then the index of topics.