الفهرس 
المقدمة
نشاة فن الخزف الصينى واثره على خزف الحضارات القديمةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
Exchange Effect between the ceramic art of China
and the contemporary European
All the time period of their ingredients and indications and what
distinguishes its own characteristics different from other over the
centuries, although the art is the product of a combination of factors in
society may be factors (religious, political, social, etc ...) which affect the
arts in some way or another and when we deal with a subject of research
(artistic influence of mutual between the art of Chinese ceramics and
contemporary European) Note Artkazh mainly on the art of ceramics in
China, Europe and the artistic influence of Chinese art is clear on the arts
of the West and China is a country of ancient civilizations and ancient
history spanning over seven thousand years of civilization and the arts
features and special and distinctive.
We are interested in this research specifically the art of
distinguished his weight among the Chinese art is the art of Chinese
ceramics contemporary and reached the art of the development until this
time, and returns the importance of Chinese porcelain in the Chinese
porcelain specific and we can point to the importance of identifying the
effect of Chinese porcelain on the porcelain Europe To this effect several
reasons due to the technical quality, accuracy and skill and the features of
innovation and creativity in Chinese porcelain raw material distinct
unique addition to the themes and ideas that dealt with Chinese artist to
express through the forms and motifs found acclaim and the popularity of
a human life in various parts of the world and are dealing here with
Europe in particular and in the modern era have the industrial revolution
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Summary
and technological enormous progress in information and communication
tools, including open cultures of the world wide in front of people,
drawing what they want familiar with all the new happening in the world
day by day, and when art was the impact and vulnerability, so the
research is to clarify the impact of technical exchange between the art of
Chinese porcelain European and contemporary.
The aim of the researcher to conduct a review ceramic art of China
and the EU to identify the aspects of mutual artistic influence in terms of ,
Differences or similarities, and in terms of technological development
and the art of the contemporary ceramic art with a critical , analysis of the
philosophy of form and expression and content. Search and consists of
three sections, namely:
Part I
The Emergence Of The Concept Of Ceramic Art By
Chinese Dynasties
This section consists of two chapters:
Chapter I: The Emergence of Chinese Ceramic Art And Ceramics
Impact on Ancient Civilizations
Displays a researcher in this chapter, the chronology of the
Dynasties of the Chinese to know it and deal with Chinese Dynasties
since the primitive and address on the forms of ceramic pots and methods
of decoration and the techniques and methods of burning and the most
important thing we have in this chapter cemetery Be, which contained a
7000 statue of sculpture ceramic life-size and is the cemetery of the
wonders of the world and was contained chapter also to clarify the
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Summary
manifestations of the impact of the art of Chinese ceramics on ceramics
of ancient civilizations and that deals with modeling clay of these
civilizations and comparing models of Chinese porcelain and focused
researcher on three civilizations and Arabic are Iran and Egypt and Syria.
Chapter Two: The concept of form and expression and content in Chinese
ceramics through the ages.
And deals with the researcher in this chapter the concept of
form and methods of expression and themes ceramics in Chinese
Dynasties historical and that of AD and the art of porcelain with
contemporary stand on the most important methods of composition and
the most important techniques of ceramic techniques and also the fire.
Part two
The Emergence Of Ceramic Art in Europe
And Understandable
This section consists of two chapters:
Chapter I: The Emergence of The European Ceramic Art and The
Most Important Features.
Deals with the researcher in this chapter the emergence of the
European ceramic art and ceramic works that were in the primitive ages
of Greek and Romanian, and the island of Crete with exposure to the
elements of ceramic and drawing methods and types and methods of
surface treatment of ceramic pots and sculptures at this time as Chapter
crockery on the island of Crete and utensils for the buffalo and
earthenware Brocwatik and also the eastern method of decoration and
utensils and pots Hydra classical Hellenistic and Roman Red earthenware
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Summary
pots and the brilliant Celtic)) and factors that led to the Romanian Greek
and Romanian art.
Chapter II: The concept of form and expression and content in
Contemporary Western porcelain.
Chapter and clarify the concept of form and expression and content
and the opinions of philosophers and the importance of the relationship
between them from one another and precedence and also deals with
contemporary European artists researcher and different methods of
expression and methods of composition and methods of decoration and in
accordance with the method and the way the artist special.
Part Three
Impact and vulnerability between the porcelain and
ceramics of contemporary European.
This section consists of three chapters:
Chapter I: The Role of Modern Technology in The Development of
Ceramic Art.
And chapter deals with the evolution of the potter’s wheel through
the ages and the shape and design of the wheel in different countries to
come to the wheel and then the evolution of modern electric burning
furnaces and the development of primitive and modern design of these
ovens and clarify the grounds that the installation of furnaces and their
advantages and how to employ them to serve the work Ceramic and
control techniques in the fire.
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Summary
Chapter II: Chinese porcelain and the effect on the West
Chapter deals with the impact of Chinese porcelain on European
ceramics since 1914 and until today, and explain the reasons for this
effect since the trade and control and domination of China since ancient
porcelain ware, and the development of Chinese ceramics, European and
compare them in the twentieth century dealt with models of three
techniques for ceramic They are a contemporary ceramic technology
Raku Pottery and ceramic crystal coating and coating Majulka and by
presenting examples of contemporary artists, Europeans and Chinese.
Chapter III: Models of the work of the researcher.
And in this chapter presents the researcher some models ceramics
carried out by using a technique Majulka as one of the techniques the
European excellence and also to some forms of technology Raku Pottery
and horsehair and models of sculpture ceramic Castvadp of the research
topic and has adopted most of the models on the use of lining light and
painting pigments colored by using brush and then paint any color
technology transparent under the paint and also abrasion technique in the
lining and the relief sculpture to ceramics.