الفهرس 
الفصل الأول : نبذة تاريخية عن الرسوم المتحركة فى مصريوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
أهداف البحث : Study Gogls :
1- إلقاء الضوء على القيم التشكيلية والإبداعية عند تناول تصميم الشخصية الكارتونية .
2- توضيح مدي تأثير الفنان عند تصميم الشخصية بالظروف الاجتماعية والسياسية للمجتمع
3- دراسة الجوانب التشكيلية في تصميم الشخصية الكارتونية على المشاهد وتأثيرها إيجابية على الملتقي .
4- إبراز عوامل النجاح التي تسهم في تأثير الشخصية الكارتونية على المشاهد وتأثيرها إيجابياً على الملتقي .
5- قياس مدي تطور تصميم الشخصية الكارتونية في مصر خلال الفترة التي تناولها البحث .
فروض البحث : Study Questions :
1- هل الشخصية الكارتونية تسهم في البناء الفكري والنفسي لدي المشاهد وهل هي قادرة على اكتساب للحقائق والأداء والأفكار والمهارات والخبرات والاتجاهات .
2- هل المجتمع الذي نعيشه بحضارته يعتبر أرض خصبة لبزوغ شخصية كرتونية تتمتع بالاستمرارية وترسخ في أذهان المشاهدين .
3- الشخصيات الكارتونية في أفلام الرسوم المتحركة المصرية هل تم توظيفها لخدمة المضمون المستهدف وتوجيه السلوكيات إيجابياً .
4- هل يستجيب المشاهد إلى الشخصية المغامرة ومدي ملاءمتها لتقاليد وثقافة المجتمع .
حدود البحث : Cimition of Study :
حدود زمنية : الفترة التي يتناولها الباحث هي منذ إنتاج أول فيلم كرتون في مصر 1935 ، وحتى الآن .
حدود مكانية : يتناولها البحث مصر .
منهج البحث :
يتبع الباحث منهج الدراسة التاريخية والوصفية والتحليلية من خلال :
1- دراسة تاريخية لأعمال الرواد في مجال أفلام الرسوم المتحركة في مصر منذ البدايات ، وحتى الآن .
2- دراسة تحليلية ووصفية لأهم القيم الإبداعية والتشكيلية في تصميم الشخصية الكارتونية خلال الفترة الزمنية التي يتناولها .
3- دراسة تحليلية ووصفية لإبراز أهمية الشخصية الكارتونية واستخدامها كعنصر مؤثر في أفلام الرسوم المتحركة .
This research aims to Study the animated pictures art, the development of this art through ages until the modern age, in addition to the Connection of the animated pictures art with environments element and designing the animated character.
This research contains five chapters distributed as the following :
1- the first chapter :
it considers a historical outline about the animated pictures in Egypt, this chapter deals with the historical development of the animated pictures in Egypt in the old country that left admirable works in the architecture art as pyramids, temples and mastabas of painted walls, although the painted walls weren’t popular, after that we deal with the middle country where progress and development. The artist dealt with some of his works with engraving in the previous ages, he made them fertile and wealthy instead of the rarity that prevailed in the old country then, we find the movement in the modern Country and the wall paintings reached the top of its golden age and flourished at the modern country, the recent country achieved a large revival from Beni – Hassans cemeteries that contain wall paintings influenced by the religious Side of the religious beliefs and its relation with the Social Side at this age, It is necessary to make the paintings clear through their walls that contain a world of wall paintings .
- After that we show the animated pictures in Egypt from 1933 to 1958 by showing the artists of this period Starting with “ Frankils brothers “ and their most important works passing “ Anton Philip “ and his important works, and unsuccessful experiment of the artist “ Mustafa Hussein “ and the artist “ Zohdy “ .
- through this Chapter we Can reach the extent of the positive influence through Artists of this period upon the animated pictures in Egypt .
2- the second chapter :
contains definition of the artistic elements of the animated character, the environments influence upon designing the animated character, features of the animated character, the influence of design principles and its relation with the animated character .
- the animated pictures influenced by the Egyptian environment and its significant features, in addition to the connection of the Egyptian character concept through Egyptian nature and its influence upon
Egyptian Character and its features that effect positively upon the animated character.
- in addition to elements definition by dots and their formative relation with animated pictures, and the line as a decorative value of the animated picture creation.
- and the color and its effect upon the Egyptian animated character passing the lump and its for motive effect on the animated pictures films.
3- the third chapter :
it considers an analytical study of the animated pictures films in Egypt at the beginning of the second half of the 20th century until 1974.
- the researcher dealt at this chapter with the analysis of works of Artists of this period, some of them are, the Artist “ farid Al-Mizawey “, the Artist “ Ali Moheib “ and the Artist “ Nushey Eskandar “ .
4- the Fourth Chapter :
Contains an analytical study of the animated pictures films in Egypt in the last quarter of the 20th century .
- the Researcher dealt with the analysis of the most important works of this periods artists, this period is full of the animated pictures works through graduation in standard, starting from 1975 until now through valuable works, the Artists of this period are the Artists “ Abd – Al - Alim Zaki “ , “ Sayed El-Shohary “ , “ Mohamed Hassib “ , “ Rida Gobran “ , “ Ahmad Saad “ , “ Zeinab Zamzam “ , “ Mona Abu – Al Nasr “ ant at last the young Artist “ Mostafa Al – Faramawey “ .
5- the Fifth Chapter :
Contains the most important artists of the animated pictures in Egypt and their important artistic works in the animated pictures world in Egypt .
- Some of their most im portant works are : “ the white line “ film and the advertisement of the investment certificates for “ Ali Muheib “ and the Artist “ Abd Al Alim Zaki and his works “ Al Mahala adver tisement “ , “ Al Mizan butter ” and “ the two doves and the Spider “ .
- this chapter deals also with the Artist “ Nushey Eskandar “ and his important works which are “ Naznoz “ , “ Fein “ and his film “ Room No. … “ . in addition to the Artist “ Ahmad Saad “ and his works “ Hodrit Al – Omda “ . “ Goez El Kheil “ , “ bitth of Abu – Fasad “ and deals with the works of the Artist “ Zeinab Zamzam “ , “ Mona Abo Al Nassr “ and the Artist “ Mostafa Al Faramawey “ their works are : “ Hanadi “ , “ Bakar “ and “ Badr and Scare – Crow “ .